"Enter an age of unknown terrors, pagan worship and virgin sacrifice..." The "gigantic spectacle" of WHEN DINOSAURS RULED THE EARTH.
AFTER the world-wide success of ONE MILLION YEARS B.C., Hammer's first cash-in was actually completed while the Raquel Welch extravaganza was still in post-production: PREHISTORIC WOMEN. Even though the studio flirted with forgotten lands in 1967's THE LOST CONTINENT - whose monsters acted more as a prelude to Amicus' lost world pictures - Hammer's follow-up to ONE MILLION YEARS B.C. proper didn't appear until late 1970. Developed into a screenplay by director Val Guest from a treatment by novelist J.G. Ballard, WHEN DINOSAURS RULED THE EARTH begins with Kingsor (Patrick Allen) sacrificing blonde virgin Sanna (auburn-haired Victoria Vetri, sporting a blonde wig). She is saved when winds sweep her over a cliff and into the arms of Tara (Robin Hawdon), a man from a fishing tribe. Tara welcomes Sanna into his clan and they fall in love, much to the annoyance of Ayak (Imogen Hassall). When the moon appears in the sky for the first time the tribe panics, with Ayak accusing Sanna of witchcraft. The outsider flees into the jungle where she is forced to survive amid prehistoric beasts, which includes being accepted by a mother dinosaur as one of her own hatchlings.
The real curse of ONE MILLION YEARS B.C. was that Hammer found itself unable to afford the star attraction of Welch, or control the runaway success of its stop-motion animator Ray Harryhausen. Harryhausen was engaged with THE VALLEY OF GWANGI, and suggested Ohio-born SPFX creator Jim Danforth to lead Hammer's visual effects department on the picture. Danforth would eventually be rewarded with an Academy Award nomination, but only after an exhausting association with his employers. With little time for location work, a decreasing deadline and spiralling budget, he was aided by Roger Dicken, David Allen and Brian Johnson. Using real-life lizards and alligators as padding, the production still had to lose two major effects sequences: one involved a horde of giant ants, the other two pterodactyls. Against this backdrop of blood, sweat and tears, Danforth delivers a number of memorable scenes, such as villagers fighting off a rampaging Plesiosaur with flames, and a Triceratops pursuing a caveman to the edge of a precipice.
The Canary Islands give WHEN DINOSAURS RULED THE EARTH an expansive glow that belies such juvenile fantasy. As with ONE MILLION YEARS B.C., there is no intelligible dialogue, only a series of grunts and gesticulations; in Wayne Kinsey's book Hammer Films: The Elstree Studio Years, Guest states "I invented and wrote a whole new language. I actually thought if we could do this really believing in what you're doing we may get away with it." Ballard said that he was "very proud that my first screen credit was for what is, without doubt, the worst film ever made." Why such an experimental new wave science fiction author would become involved with an immature Hammer dinosaur picture has remained a mystery to this day.
The movie is also hindered by 21-year-old Vetri, hardly an equal to the iconic Raquel Welch. In Tom Weaver's interview book Double Feature Creature Attack, Guest describes the starlet as "a nitwit" and "a real nothing, and a very strange mixed up lady." As Angela Dorian, Vetri was Playboy's Playmate of the Month for September 1967 and subsequently the 1968 Playmate of the Year. Before donning the fur bikini, Vetri turned down the title role of Stanley Kubrick's LOLITA, and worked mainly in television - including BATMAN and STAR TREK. But she did have a bit part in Roman Polanski's ROSEMARY'S BABY, and later appeared in sexploitation entries INVASION OF THE BEE GIRLS and GROUP MARRIAGE.
Victoria Vetri - aka Angela Dorian - in Playboy September 1967 finery.
Vetri made headlines in 2010 for shooting her fourth husband, Bruce Rathgeb. A year later the charge against her was reduced from attempted murder to attempted voluntary manslaughter, to which she pleaded no contest. The judge sentenced her to nine years in state prison. To further the Polanski connection, the model/actress was friends with Sharon Tate, and following Tate's horrific murder the Polish director gave Vetri his own gun - a Walther PPK - for self protection, a weapon alleged to have been used four decades later in the Rathgeb incident.